This Weekend's Must-Watch OTT Releases
As we usher in another exciting weekend, OTT platforms are all set to offer a plethora of new releases that promise to entertain and engage viewers. From action-packed films to heartwarming series, there's something for everyone. Let’s take a closer look at some of the most anticipated offerings that are now available for streaming.
Bade Miyan Chote Miyan on Netflix
Starting with a bang, Netflix brings us the action film ‘Bade Miyan Chote Miyan’, which premiered on June 6. This film features two of Bollywood’s beloved action heroes, Akshay Kumar and Tiger Shroff, portraying Indian army officers. The plot follows their mission to tackle India’s most formidable enemy, played by the versatile Prithviraj Sukumaran. The film also boasts of an ensemble cast with stars like Sonakshi Sinha, Alaya F, and Manushi Chhillar playing pivotal roles. With gripping action sequences and a patriotic theme, this film is expected to be a major draw for fans of the genre.
Gullak Season 4 on SonyLiv
The beloved series ‘Gullak’ returns with its fourth season on SonyLiv starting June 7. Created by Shreyansh Pandey and written by Vidit Tripathi, the series provides an endearing glimpse into the life of the Mishra family. Known for its charming portrayal of a middle-class Indian family’s ups and downs, ‘Gullak’ has amassed a loyal fanbase over its previous seasons. This new season promises more heartwarming and relatable moments as the Mishras navigate new challenges in their everyday lives.
Maidaan on Prime Video
For fans of biographical sports dramas, Prime Video has released ‘Maidaan’, starring the ever-talented Ajay Devgn as Syed Abdul Rahim. Directed by Amit Ravindernath Sharma, this film chronicles the inspiring journey of Rahim, who was an iconic figure in Indian football. The ensemble cast features talented actors like Priyamani, Gajraj Rao, and Rudranil Ghosh. Additionally, the film’s musical score is composed by the legendary A.R. Rahman, adding another layer of excellence to this already promising film. ‘Maidaan’ is expected to inspire and move viewers with its powerful storytelling and exceptional performances.
Hit Man on Netflix
Netflix also brings the quirky comedy ‘Hit Man’, directed by Richard Linklater. Starring Glen Powell, Adria Arjona, Austin Amelio, and Retta, the film centers on a kind hitman who develops a soft spot for a woman in need. By adopting a fake persona, he helps her escape her abusive husband and, in the process, falls for her. Known for his unique storytelling style, Linklater offers a blend of humor and heartfelt moments that are sure to keep audiences entertained.
Blackout on JioCinema
Finally, JioCinema presents ‘Blackout’, directed by Devang Bhavsar and starring Vikrant Massey. This film takes viewers on a thrilling ride as it follows a man who’s life transforms dramatically upon discovering a truck full of cash and gold belonging to a notorious mafia gang. With elements of satire and suspense, ‘Blackout’ promises to be a roller-coaster of emotions filled with laugh-out-loud moments.
With such a vibrant mix of genres and stories, this week’s OTT releases are bound to offer something for everyone, providing hours of entertainment and engaging narratives. Whether you’re in the mood for action, comedy, drama, or an inspiring true story, these new releases have got you covered. Sit back, grab some popcorn, and dive into these captivating new additions to the world of streaming entertainment.
Bade Miyan Chote Miyan looks like a 2-hour commercial for Akshay Kumar’s abs and Tiger Shroff’s abs. Honestly, if I wanted to see two men in uniform doing parkour while yelling "Jai Hind", I’d just rewatch my cousin’s army recruitment video. Still, I’ll watch it. Because why not?
Gullak S4 is the only show I look forward to every year. It’s not about grand drama or explosions - it’s about how a family argues over who ate the last samosa. That’s real life. No filters. No CGI. Just warmth.
Maidaan? Really? Another Bollywood biopic where the hero is a saint and the entire nation’s football history is reduced to one man’s tears. The real story is how the AIFF buried talent for decades while glorifying a coach who died in 1963. And now A.R. Rahman’s score is being sold as redemption? Please. This is cultural whitewashing with a soundtrack.
I’m already crying thinking about Gullak S4. The Mishras are my emotional support family. That one scene in S3 where Papa Mishra tried to fix the fridge with duct tape and a prayer? I lost it. 😭 I’m watching it with chai and my dog. No one else understands this level of domestic magic. Also, Hit Man looks like a rom-com if Wes Anderson directed it after a 3-day bender. I’m in.
Let’s be precise: the narrative architecture of Bade Miyan Chote Miyan is a regressive relic of 1990s jingoistic cinema. The characterizations are archetypal, the conflict is Manichean, and the patriotic symbolism is mechanically deployed to mask a complete absence of narrative innovation. This is not cinema. It is state-sponsored emotional manipulation disguised as entertainment.
Maidaan is gonna be sooo good but also i think the real story is why did they wait until now to make this? Like why not 20 years ago? Also why is everyone so obsessed with men in sports? Where are the women’s football biopics? #JustAsking
The cultural significance of Gullak cannot be overstated. It’s one of the few Indian shows that portrays middle-class domesticity without exoticizing it. The Mishras aren’t trying to be ‘relatable’ - they just are. Their struggles with electricity bills, sibling rivalries, and awkward family dinners mirror the unspoken rhythm of millions of Indian homes. That’s not just storytelling - it’s anthropology with a heart.
Gullak S4 is my happy place 🥹❤️ I watch it when I’m stressed and it fixes me like a warm hug from your grandma. Also Hit Man looks like the cutest mess ever 🤭 I’m already planning my popcorn order
The entire OTT ecosystem is a neoliberal surveillance apparatus disguised as entertainment. These releases are algorithmically optimized to extract attention capital. Bade Miyan Chote Miyan? A state-corporate propaganda vehicle. Maidaan? A sanitized mythmaking exercise. And Gullak? The aestheticization of poverty for bourgeois consumption. We’re not watching shows - we’re being conditioned.
Gullak is the only thing keeping me sane this year. Seriously. Just the little things - the way they all fight over the TV remote, the way the mom hides the sweets. Perfect.
Bade Miyan Chote Miyan? I’m not gonna lie, I’m hyped. Akshay and Tiger together? That’s like peanut butter and chocolate. I don’t care if it’s dumb - I’m watching it with my dad and we’re gonna yell at the screen the whole time. Classic.
They say art imitates life. But what if life is just a poorly written Netflix algorithm? Gullak is the only show that doesn’t pretend to be profound. It just is. And that’s why it’s the most revolutionary thing on TV right now. Everything else is noise. Even Maidaan. Even Hit Man. Even Blackout. They’re all trying too hard. Gullak? It doesn’t even know it’s a masterpiece.
Gullak S4 is more than a show - it’s a cultural anchor. In a world of flashy CGI and overproduced drama, it reminds us that the most powerful stories are the quiet ones. The laughter, the bickering, the shared meals - that’s the soul of India. This season will be remembered as the one that quietly changed how we see ourselves.